
an excuse to put my ugly mug at the top of the site by Jason Wilson
Well hello there. The last couple months have seen what some might have expected to be the end of Unfiltered Smoke. This is not exactly the case. Isaac and myself have not at all lost interest but as in with other endeavours life has gotten in the way. I don’t think I need to get into the particulars but we have been working on finishing up our novel we have been writing for over a year together, which has become first priority.
Second, we stopped getting submissions. I do have another photo series from Nick Lamont and that will go up tomorrow or even later tonight but other than that it all stopped at once. Now I’m not blaming anyone, what I expect was that people saw the site was no longer active and thus decided it wouldn’t be in their best interest to submit. We are always open to submissions even if (or perhaps especially) if we appear MIA.
I could have likely updated the site daily or at least regularly with my own pontifications on the world of art but the idea that brought this site to fruition to begin with was that it would be a collective. If it’s only myself or Isaac and I, then it’s nothing more than another blog. While we have blog-like elements I like to think we draw from a slew of media that elevate it above the typical diary-like writings of so many blogs out there. Of course it is so difficult to classify as Deadspin is a sports blog but brings in actual news stories and is more of a comedy routine in most of the posts. It’s opinion based but not in a rambling manner.
At any rate, the internet is a tough nut to crack and yet I still believe we can make this site a success. I’m not talking in financial terms because I certainly am not making money. But I believe we can successfully promote the arts, be it music, writing, drawing, painting, photography or ideas in general. This update has been a long time coming and should have happened before the turn of April.
Brief Criterion Conquest:
Amarcord (1974)
Directed by Federico Fellini

A comedy…in fascist Italy? Well that’s basically what Amarcord is, or it’s at least a very whimsical depiction of what life in Italy during WW2 might have been like. It was loosely based on Fellini’s own experiences as a youngster and shows how adolescence and sexual awakening is difficult in any country. That sort of development doesn’t simply stop because a war is on or someone happens to be brought up on the opposing side. He brought a decidedly human perspective to the fascist reign of Mussolini.
It’s like a carnival and features many dream sequences that further the idea that many people of the time may have ignored that the war was going on or recognized it but tried to distance it by going on with their lives. Otherwise, what could you do? Of course, there are moments of weight that include an interrogation of the main boy’s father who is suspected of working against the government. This corresponds with a political rally where characters you’ve grown fond of show their undying support for Mussolini who history has proven was one of the worst tyrants imaginable…or at least that’s what the history books tell us. Perhaps for these people at least in Italy it wasn’t so bad. The film allows the viewer to imagine a different perspective or an alternate view of the war. It doesn’t mean you have to all of a sudden pump your fist in support of Mussolini, far from it. I’m rambling…it’s been a couple months since I actually watched it. Either way it is a fantastic film that everyone should give a watch. Then you’ll know what I mean…or you’ll think I’m insane or way off base with my interpretation. Such is the folly of criticism.
Army of Shadows (1969)
Directed by Jean-Pierre Melville

On an opposite, perhaps more traditional take on the Second World War, Melville’s dark and depressing tale of underground rebels fighting against the Nazi’s is possibly one of my now favourite movies set in war times. It doesn’t rely on a ton of bells and whistles and instead focuses entirely on the quiet nature before and after violence. The choice these people had was to fight back through espionage or die in camps. Unfortunately, betrayal was not as uncommon as the resistance hoped for as some members saw an opportunity to help their family by providing information.
Guilt, paranoia, desperation and desire to be free are all powerful themes and when mixed together the way Melville does here is incredible. I’ve seen his film Le Samourai and was blown away, especially when I found out it was a huge influence on Jim Jarmusch’s Ghost Dog.
I skipped down the list by a long shot and I figure any time I add another it will not be in chronological order. Just saying.
So yes, we will have periodic updates that are certainly more regular than they have been the last little while. Please send new submissions if you like, we will put them up. Thank you for your readership!