Archive for the ‘Art’ Category

This Week at the Foggy Goggle


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posters by Chris Tompkins

Partnering with Sailor City Promotions, Toronto-based graphic artist Christ Tompkins is designing the art for rock shows at the Foggy Goggle. Last week we posted his design for Carey Beck’s rockabilly show. This week brings two more. The first presents Tommy Green Jr. (of Halifax’s Telfer) and Mike Bochoff with opening guest David Mudge on Friday, May 7. The following night features Moncton rocker Marco Rocca with Jason Haywood. Check out their music online at their respective MySpace profiles (hyperlinked on their name) and hit up the shows this Friday and Saturday. Life is better with live music.

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The Further Adventures in Photoshop

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by Joan Reid

As we said on Friday, Joan had recently submitted two sets of her photoshopped portraits. We ran the first set on Friday and here after a few days of waiting is the thrilling conclusion…well to this set, Joan will be submitting more down the road for sure. Fellow Unfiltered Smoke contributor Chris Tompkins is seen in the first pic, reading Hank Moody’s God Hates us All. Enjoy!

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Adventures in Photoshop!


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photoshop portraits by Joan Reid

Joan Reid, who contributed photoshop portraits near the beginning of Unfiltered Smoke is back with two sets. The first one (below) shows her use of watercolour style and other elements. The second set will be up either this weekend or on Monday. She’s a great talent and has a wonderful eye for manipulating photographs. A couple of the photos below picture Unfiltered Smoke photographer Laurel Green!

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Marla Singer


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a poem and a painting by Jody Coughlin

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I took a pill. It was a zinger.
But, I don’t care… I’m Marla Singer.
I’ll flick my ciggy in your face
And sell your clothes––to your disgrace.

I’ll screw your boyfriend until he’s dead.
I’ll drink poison and chew on lead.
I’ll wake at night to the sound of rain.
I’ll pretend my TB is causing pain.

I’ll suck my smoke until it bleeds.
I’ll suck your (beep) because I need.
I’ll never wash and never brush.
But, I’m still a sexy (beep)ing slut.

So, kiss me once, kiss me twice.
Then ignore that I’m your vice.
Carry on with your double life…
Perhaps I’ll stab you with a knife?

In a dream when you’re not looking
When the soap you are cooking.
I’ll stick it in––right through your mud.
Then, perhaps, I’ll lick the blood?

So, when you’re finished bashing heads,
I’ll be thrashing ‘round your bed.
With the other half who makes you you.
I’m Marla Singer. It’s what I do.

Carey Beck at the Foggy Goggle

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art by Chris Tompkins

This Saturday, May 1st, rockabilly musician Carey Beck performs at the Foggy Goggle in Halifax. Chris Tompkins, a graphic artist based in Toronto and originally from Centreville, New Brunswick, designed the poster for the show. Check out the poster, check out the music.

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Also, check out Carey’s myspace and official website.

For more information on Chris Tompkins and his outstanding graphic design, go to his website

the Phoenix Dress

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Article by Isaac Thompson

Originating in Persian mythology, the phoenix is said to be a fire spirit that exists in the form of a large colourful bird. After a life span of 1000 years the bird builds itself a final resting place; a nest of twigs which ignites into flames. The bird dies in the resulting fire, reduced to ashes. This strange act of self immolation is not as it appears. It’s not an act of destruction but an act of rebirth. When the smoke clears a new phoenix arises, reborn, a brighter reflection of its former self.

This became the perfect metaphor for an idea floating around the head of Derrick Dixon, a Halifax based artist and student of the Nova Scotia College of Art and Design. For his NSCAD Independent Study he wanted to create a dress that he could transform using fire.

“I had an image in my head, or a thought, about transforming a dress through fire. I thought it was a powerful image. It wasn’t about destroying a dress through fire, more of transformation. Once I had the idea I couldn’t stop thinking about it.”

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After the initial conception in December 2009, Dixon dedicated practically every waking moment to the execution and completion of the dress. He discovered that wool would be the best material to make the bulk of the dress with since it wouldn’t burn. He worked on the dress using wool and silk, donated to him by generous teachers and fellow students. The dress was designed with a cream and beige coloured wool outer layer laced with strings of sewing pattern paper. Derrick’s vision was to ignite the paper thus removing the stitches, the wool would drop away to reveal a new dress made of brightly colored silk. All of this would take place while the dress was being worn by a model.

Dixon was eager to work in the field of fashion even though his previous experiences were more in the realm of sculpture and visual art. Dixon saw the potential of fashion as an art after he discovered the phenomenal mixture of performance art and fashion by American artist Nick Cave (no, not the singer).

“I don’t really follow fashion. I’ve always been interested in fashoion but I never really followed it. I started reading a lot about it since I was making a dress and I’ve always thought there was something more that could happen in fashion. I’m interested in pushing it into the realms of art. That’s what interests me.”

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By April 10th, 2010, Derrick had designed and fashioned the piece and the ambitious Phoenix Dress project ready to go. Dixon assembled a crew of approximately 20 volunteers made up of colleagues and friends and brought them all to Lawrencetown, Nova Scotia. The artistic experiment was conducted in a scenic, wooded area loaded with atmosphere. The landscape was strewn with new growth poking through deadfall trees, a perfect location to push the phoenix imagery even further.

Dixon had the event planned out much more than a simple fashion shoot, he wanted it to be a visual feast, a true work of art. Every element of the project was carefully selected to have meaning and enhance the concept as a whole, Dixon conceived an earth tone/natural motif that he and his style crew were able to run with. Stylist Gary Markle Designed accessories by combining jewelry with natural plant life materials found on site. Model Haley Thomas’s makeup was designed by Michelle Alerie to compliment the earthy tones of the dress with touches of color alluding to the dress’ fiery transformation.

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Dixon wanted his model’s hair to consist of many tight braids and bangs that needed to stay firm. Hairspray couldn’t be used as it is an accelerant, so Hairstylist Rosslyn Mackay improvised, using egg whites to keep the model’s hair in place (a trick famously used by punk rockers to keep their Mohawks perky).

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Dixon made very clear that health and safety was priority number one. He was well aware that the use of fire on a dress being worn by a live model brought up certain safety concerns and he had assembled a five person health and safety team to ensure everything went smoothly. He had carefully planned every step and knew that the wool base of the dress made it safe to be worn but still took every conceivable precaution.

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Once Thomas’ hair and makeup were finished, Dixon and Markle dressed her and she was taken to the shoot’s location. The moment Dixon had been waiting five months for was now at hand. There was an excitement in the air as Thomas entered the location to thunderous applause. Dixon had worked so hard to realize the Pheonix Dress and there was a sense of awe and interest in the faces of everyone involved. The dress looked dazzling, the model radiant and the location perfect. The weather was dark and overcast, threatening to rain at any moment. Thomas was a trooper, posing for photos in the dress while everyone around her was bundled up in winter jackets and mittens. After a few preliminary photos Thomas was given a blanket to warm up while the final preparations were made.

The Phoenix Dress was finally going to go up in flames.

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The health and safety team watched on, extinguishing tools in hand, as Dixon lit each strand of paper. Orange and yellow flame consumed the paper releasing selected sections of the dress. Every strand was lit until at last the phoenix had risen. A vibrant rainbow of silk emerged to the cheers of everyone in attendance. And as soon as the phoenix had risen the rain began to fall.

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Derrick Dixon will be displaying the Phoenix Dress live tomorrow night (April 21st 2010) at NSCAD’s 20th annual Wearable Arts Show. The show will be at Halifax’s Olympic community Centre (2304 Hunter street). Doors open at 7:30, show starts at 8:00. Tickets are 15$ in advance and can be purchased at Venus Envy and the  NSCAD supply store or $20 at the door. The show is a benefit for people living with AIDS in Nova Scotia.

Watch the burning of the Phoenix Dress with music by Tomcat Combat’s Kevin Mombourquette.

CREW LIST:

Director/Producer/Designer

- Derrick Dixon

Model

- Haley Thomas

Assistant to model

- Gary markle

Assistant Director

- Amelie Proulx

Health & Safety

- Anne Pickard – Head Officer

- Erin MacKay

- Charlotte Mongraw

- Matthew Mongraw

- Gilles LaChance

Photographers

- Meghan Whitton

- Katelin Lamond

Videographer

- Kevin Fraser

Assistants to Photographers

- Kerri MacLellan

- Dori Palmiere

Video Edited by

- Stephanie Young

Music by

- Kevin Mombourquette

Stylist

- Gary Markle

Prop Makers

- Amelie Proulx

- Sarah Maloney

- Barbara Lounder

Hair by

- Rosslyn MacKay

Makeup by

- Michelle Alerie

Drivers

- Dori Palmiere

- Stewart Johnston

- Gary Markle

- Kevin Fraser

- Charlotte Mongraw

- Gilles LaChance

- Lorraine Plourde

Location Provider

- Andrew  Maccallum

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A Night of Television

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by Jody Coughlin

I watched Anderson Cooper’s AC 360 on CNN recently and I really don’t care what some people might say, I think he (Cooper) delivers some very decent, fair reporting laced with a refreshing amount of basic human compassion and common sense. He’s my kind of boy, that Mr. Cooper, and I have been watching his coverage of the earthquake in Haiti from the start.

One night in particular he reported on a story about a five year old boy who was rescued from the rubble in Haiti. I believe his name is Monley. Well, if you are following the story as I have been you would know that Monley was rescued after 8 days under the rubble with no food or water. Amazing. Yet, after he was reasonably back onto his feet he was sent from the makeshift hospital that took him in and into the world to live in a tent with his brothers and his uncle. A vacant look in his eyes said everything he didn’t seem to be able to say with words of his own as he was being filmed for the news story. Both his mom and dad died in the quake. The last I heard Monley did not know the truth about his parents. His uncle didn’t have the heart to tell him the truth about their demise. I don’t blame him. That would be a tough call by any stretch of the imagination.

Essentially, Monley’s recovery from dehydration and starvation came within days of proper care and treatment. The grief and sorrow and challenges ahead of this boy will not come nearly as easily and it will take years to work through the kind of pain and grief he will undoubtedly suffer as time goes on, I think to myself.

Then, I flipped the channel to CTV and there it was. The opening ceremony of the Winter Olympics in Vancouver. A source of national pride indeed. At first, I watched with a mild form of skepticism. There were girls dressed in what looked like white, space-suit mini skirts, carrying the various banners that stated the names of all the various countries as they marched around. Not bad, I guess. Well… Then again. Never mind. Back to CNN.

This time, on CNN, the story was about a girl who had to have surgery to remove chunks of cement from her brain. She had spent her recovery in what she thought was a hospital in the United States only to discover she was actually aboard a floating hospital (the USS Comfort) and she was still in Haiti. He father could not afford the fare to pick her up so a rescue worker took her to her father instead. As she left the ship she beheld the destruction of her country, her city and her home. She found out her sister and mom both died in the earthquake. She reportedly didn’t remember anything at all about the earthquake. The sequence ended with this young girl, a child, sitting on a stool clutching a bag of belongings. I imagine she was trying to make sense of it all. There was just so much for her to take in at once.

Then I flipped back to the coverage of the Olympics. The marching around was all but over. The team from the country of Georgia sported black arm bands in honor of the athlete who died (yes, died) in training practice on the luge just hours earlier that same day. He was traveling almost 150 kms/hour on the luge when he wrecked and suffered fatal injuries. But, the games must go on, right? I can’t imagine how the remaining athletes from this country feel right about now.

Anyway, on with the story. I didn’t see the entire event, but just before the games officially opened there was a performance art show which, I must say, was pretty impressive. The gist of it was about the beauty and diversity of Canada, the landscapes, the various cultures, our penchant for down playing our successes and our tendencies to always say please, thank-you and you are welcome. Well, obviously that part impressed me and I wondered if maybe I was too harsh in declaring that the Olympics should be cancelled. Maybe, but I doubt it.

Back to CNN. This time around Cooper was covering an event where the surviving Haitians had gathered in front of the Presidential Palace. There were hundreds of Haitians there. Thousands of Haitians, probably. They had gathered to recognize and mourn the loss of loved ones and they had also gathered to sing and worship and lift their voices as though they were declaring their presence and faith in the face of the devastation that surrounded them. They were making a joyful noise. There was hope in their song and hope on their faces.

Back to the Olympics. Again I saw hope as people watched the artistic performance. From moment to moment drapes and sheets of some otherworldly material were transformed into fields of unending wheat or high peaked mountain ranges. It was beautiful to behold on television and most likely it was breathtaking to witness first hand.

I began to tally it all up in my mind. I saw hope in Haiti and hope in Vancouver. It seemed like the whole world was feeling a little hopeful within the last 24 hours starting with the poorest and most troubled and finishing with the most fortunate and privileged. It was a common thread. One that I liked. I had seen this kind of thing before. I saw it when Barak Obama was elected. Everybody was happy that day. Well, mostly everyone.

I think there is a lesson I need to learn in all of this. On the one hand, we need to celebrate our life here on this amazing planet and on the other hand, if we don’t help the person next to us when they are in need, then eventually hope is lost and there is nothing to celebrate. It seems to me there could and should be a natural sequence happening here. Help those in need first and celebrate second. It could work, couldn’t it? But it doesn’t work that way. It never has and probably never will.

The endings of these two stories are very different, if my imagination serves me correctly. Today the athletes probably woke up to a healthy meal and a bright and sunny future. They have worked hard to gain such an achievement as being a part of the Olympics, I suppose, and they will be catered to because of their achievements. Is there anything wrong with that? I don’t know. Probably not.

In Haiti however, Monley and the young girl who lost her mom and sister woke up to a grumbling belly, you can be sure, and a future that seems anything but bright and sunny. I know for certain they don’t deserve that. Nobody does.

I don’t know why I am so doggedly comparing the Olympics to the crisis in Haiti, but that is where my mind goes lately. Maybe it is my own personal need to sort this stuff out. Maybe I just relish the idea of pointing out the obvious. Or maybe I am just hopeful that things will balance out somewhere along the line.

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Get it Up (a crowhands comic)

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by Brent Braaten

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Panties (a comic)

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by Brent Braaten

Brent Braaten (BFA 2004 University of Regina) is a comic artist/filmmaker from Regina, Saskatchewan. His work explores the absurdities that dwell within our imaginations; bizarre thoughts that we sometimes shamefully bury rather than celebrate.

He has contributed several comics to the site and we will be running them weekly for your enjoyment. Click the image below to enlarge.

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Christmas 2009: A Narrative

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by Jody Coughlin

Christmas was never an easy time for me as a kid. I missed a Dad I never knew; I constantly fought against the devilish bile of jealousy and doubt as I compared the amount of gifts I received in comparison to my sisters; I dreaded going back to school after the holiday break. Worse still, my mother was always stressed to the absolute maximum at this time of year and every now and then she would do something quite whacky to make Christmas all the more horrifically memorable.

Case in point: one year she took an axe to the stump of our Christmas tree to make it fit in the tree stand, which would have been perfectly normal except that she hacked away at it in the middle of the living room. I distinctly remember vacuuming wood chips from the carpet. I remember watching mom slice away at that tree with utter abandon…

This event and others like it, which are a little too painful to publicly recall are the things that would eventually denote the exact opposite meaning of the most wonderful time of year for me. What is the exact opposite of wonderful you ask? Awful. It’s awful.

It has taken me a full decade of having my own home to get my head around what I want Christmas to mean for me and my family. My husband has always had a great holiday spirit and has, over the years, looked upon me with a vague sense of concern mingled with something probably close to annoyance at my eccentricities around the holidays. With good reason. I remember one December day, years ago, I was sweeping the fir needles from the kitchen floor and in the middle of the task I went into a blind rage over nothing at all other than the fact that it was just Christmas time and I was having a reaction to it. A very negative reaction to it.

These days, things are much saner and calmer and I find I even look forward to the holidays. This year I actually took the time to really think about what I sincerely wanted for a gift which, I realize, is not the true meaning of Christmas and all that stuff, but I wanted to partake of the tradition anyway. In other words, I just wanted present. I did. It’s true.

I decided, ultimately, on a sewing machine. I conjured visions of myself designing scarves (my personal favorite accessory) and making quilts and other such things during the longs days of winter. Such a romantic notion. Such a stupid, stupid, stupid romantic notion… I mean, as if?

Well, Christmas day came, I unwrapped (you guessed it) a sewing machine. I took it out of the box, perused the instruction manual and then I put it back in the box, taped it up and returned it a few days later. One look at that manual and all the details therein and it was all over for me. My grand illusion of becoming a seamstress extraordinaire was indeed an illusion. I instantly remembered why. The only class I ever failed in school was sewing class. I had forgotten that fact somewhere along the line. It all came crashing down around me when I saw the word bobbin in big bold letters.

Yuck. Ew. Gross.

So, what initially seemed like an enormous bout of amnesia on my behalf, actually turned into an opportunity to rethink my ideal gift. To really get it right this time. At this point I decided what would really suit me, what would totally rock my world was not a sewing machine but a bag of insulation. That’s right. A bag of insultion. It would be my one big purchase. My main gift. The jackpot. I, at the time, was in the middle of renovating my tool shed into a painting studio and therefore a bag of insulation seemed as valuable to me as diamond earrings might be to normal girls. Naturally.

Wait. Stop right there… Hold on ladies. Don’t get jealous. Don’t glare at your significant others and demand to know why you didn’t get a bag of insulation for Christmas. There is always next year. Christmas is over. Let it go.

Okay, back to the story. Onward, my husband went into the building supply store, he threw the money down on the counter (I assume) and ordered the insulation. Once it was bought and paid for we were directed outside to the warehouse only to find out that they were completely out. Flat broke about it. At this point, in essence, I went home with a thirty-two dollar piece of paper (receipt). Yee-haw. Deck the halls with utter annoyance.

About a week later, after much deliberation about the state of my studio which is perfectly functional in the summer, but not-so-much in the winter, I decided it was time to bring my easel inside. I realized the smart thing to do would be to shut the studio down for the winter and regroup next spring. Forget the insulation. Forget the renos. Forget it all until Spring. I set my easel up in the kitchen and again, returned my big purchase (essentially, my receipt) which I never actually got in the first place. No big deal, but still, I wanted something to call my own by way of a Christmas gift. Call me crazy. They often do.

So the hamster wheel in my brain started spinning. I dug deep. I thought long and hard about it and I concluded what I really wanted for Christmas, in the end, was a few new canvases to paint on. This was my absolute final decision on the matter.

I knew my mom (also a painter) had a surplus of canvases, of all shapes and sizes, kicking around her house. So I phoned her up, offered her some money to take of couple of them off her hands, et voila! In the end, it seems, regardless of what I thought I wanted for Christmas what I actually got was something to paint on. Weird. Very weird. Weird because I liked it.

It also seems, deep down, I must have wanted those canvases because, in the end, all I really wanted to do during the holidays was paint a portrait of Viggo Mortensen, alluding to his character as he (it?) appeared in Lord of the Rings (you know, a kind of freeze frame and snap a picture and print it and paint it kind of thing) because I had the big idea to do so a while ago as a form of commentary of popular culture and the intriguing artist types who seem as out-there as I feel most of the time and yet make me so…well, you know… So. Something. Or something like that.

If I had just thought about it a little harder, I would have come to these conclusions earlier. It’s all so vaguely obvious to me now.

There is a moral and it is this: In the end, I have discovered, it is much more pleasurable to give than to receive, especially for us indecisive types. Lesson learned.

Thusly concludes my personal saga of Christmas 2009. The end.

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Jenn, Erika and Tammy

adamatherton by Adam Atherton

Below is a comic by Adam Atherton from Woodstock, New Brunswick. He resides in Toronto, Ontario and recently won a comic design contest at zudacomics.com for his creation Lily of the Valley. He will be producing a full run at that website and I encourage anyone to check it out. It starts on October 9 and continues every Friday.

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Scratch Illustrations

chris by Chris Tompkins

Chris Tompkins lives in Toronto, Ontario. He’s a graphic artist with experience designing novel covers, bookmarks, business cards and the scratchboard illustrations below. Enjoy and if you wish to check out his other work or to contact him for potential design work, go to his website.

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People of the World, Relax!

prodancer_2 by Jody Coughlin

So, was my first installment dramatic enough for you? I hope so. Today, however, we must move on.

It truly seemed, once upon a time, that in order to paint, write or be creative in general, I had to hurt myself or someone else to do it. Lately though, the times are a changin’ in this girl’s life and changing in a very big way.

I am dancing to the beat of a different drum, these days. I have put down the knife, as it where, and picked up a good book; Tom Robbins for nemesis, Anaïs Nin for pain. I find myself in a strange place, a place where I seek the approval of only myself, offering an apologetic shrug to anybody who might expect more. They won’t be getting it…

I decided a while ago it was time to get healthy, to wipe the slate clean. All that snapping, darting, hurting and birthing leaves a girl feeling like she’s missing something on the internal plain; on the inside.

There has been far too much give and not enough take in my life. The well of my soul had run dry, dry as desert with no hope of rain. It was only when I went to take a drink and there was no drink to be had that I realized things had to change.

The time had arrived for a refill. This time around I came to the conclusion that the precious waters of my particular well shall from henceforth be dispersed a little more conservatively and a lot less destructively. More importantly, the time had come for me to simply relax.

I suppose creative types, at one time or another, fill the void with lots of interesting things, things that cause the mind to peel back layers of reality like the skin off a grape. Drugs, sex, booze…whatever your poison, it’s all the same trick in different hats. And that’s all very well and good, if you enjoy technicolor flashbacks and three-day hangovers. I don’t happen to like either of those negative side-effects.

My drug of choice has always been the exquisitely painful torrent of love. Or hate. Or any other similar emotional dregs. As long as it was painful, it did the trick. It generated plenty of inspiration to slash some paint across a canvas. I have been in love at least 26 times in the last 31 years, to illustrate my point. The continuum of an initial hurt was carried on via my penchant (my addiction) to emotional turmoil.

The thing is, I know about as much about being an artist as a monkey knows about being a burlesque on Broadway. The motions are there, for sure. Maybe that monkey could even pull off a fancy little ass-shaking dance now and then, maybe that dance could fool one or two folks who have had too much of the aforementioned substance intake. Who knows?

I don’t know where the world-class artists get their start, perhaps within the halls of academia. Perhaps from a master painter who has blazed a gloriously artistic trail and is now accepting minions. As for me, I started painting because I felt like I missed the boat a long time ago when all my friends where up and at’em, heading off to college or whatever escape from the everyday small town bullshit (pardon the farm reference) they might have desired.

I should have been on that boat too. But I wasn’t. I was back at port, so mired in the figurative muck of one form or another that I couldn’t seem to make it to the dock, let alone actually get on the damn boat.

I will tell you, feeling like you’ve missed out when you’re just a kid is the worst feeling in the world. It really is. It skews your view. It alters your sense of possibilty. I faced that type of despair daily, hourly and by the minute. For years.

Not one to be deterred I used that pain caused by life’s events (which I won’t describe here) to push myself to overcome whatever boundary it seemed to represent. So far, every single wall has fallen down. Flat.

Determination is a wonderful thing. It really is.

Listen, folks…Let me take the mystery out of art for you once and for all. The way I see it, we are all created beings, therefore it stands to reason that we are all creative beings as well. It is a gift, for sure and I think everybody has it in them. The only difference between Van Gogh and you may very well be the fact that he was not afraid to try. I am not afraid to try, either. I get up everyday and think about what I can create. Then, I simply try. It is that easy. I do it because it is what I want to do. To hell with anyone who says I can’t.

I have learned that shit happens and the success of your life and your happiness depends on what you do with the pain it causes. Are you going to use it or are you going to let it overtake you? I decided to use it. I used it to teach myself how to paint, how to write, to draw and how to do a million different things. Eventually a formula unfolded. My options became endless once I discovered my own personal formula required to teach myself the things I wanted to know. Find your formula and then apply it to your life. Doors will open and the world takes on a whole new meaning.

I wanted to prove to myself when I started to paint six years ago that there are other boats, canoes, rafts and various other forms of nautical travel to catch and guess what? It worked. It continues to work. I am just a lot happier doing it now. Tearing myself to pieces, emotionally speaking, has lost its charms and the nemesis, though useful for a while, has been put to rest.

Use pain to overcome even while it holds you back and then, let it go and stop taking yourself and art so seriously. As Tom Robbins so easily puts it; “Peeple of zee wurl, relax.”

Wiser words have never been spoken.