Archive for November, 2009

It Might Get Loud

it-might-get-loud-adegan

a review by Isaac Thompson

“I didn’t laugh. I wept. It was so close to the truth.”

- U2’s the Edge on the first time he watched “This is Spinal Tap”.

The “rockumentary” is an idea that’s been around just about as long as rock and roll has, and why not? It makes perfect sense; rock and roll music is such a visceral art-form and the lives of rock stars are so chaotic that they translate effortlessly to film. There have been moments in rockumentaries that stand shoulder to shoulder with the greatest scenes in movie history:

- The Beatles final performance on the roof of the Apple studios in “Let it Be”.

- The infamous and truly haunting Rolling Stones film “Gimme Shelter” where the Stones organize a free concert in San Francisco and hire some local Hells Angels members as security guards resulting in the murder of an audience member during a performance of “Sympathy for the devil.”

- “Dig!”, a movie that documents the contrary paths of The Dandy Warhols and The Brian Jonestown Massacre. As the Dandy Warhols build a steady successful career, the Brian Jonestown flounder in the self sabotage of their drug addled leader Anton Newcombe, culminating in a disastrous industry showcase gig/brawl at the L.A. Viper Room.

- Every second of Martin Scorsese’s Brilliant “The Last Waltz”. The Band’s last hurrah and one of the best concerts ever caught on film.

- and of course, the rockumentary, mock-umentary masterpiece, “This is Spinal Tap”.

But no marriage is perfect. Rock and roll and film often have a rocky relationship. With all the power they are capable of, rockumentaries have their shortcomings. Often documentaries are victim to the necessary trappings of film; Filmmakers have the need to build a story, with an arch and character development, something that has a well defined beginning, middle and end. Rock and roll, however, is a genre that was born out of a disregard for the rules, it is a force that hates constriction and film can often be too rigid a medium for such a spitfire entity. The biggest problem with rockumentaries is, like most film genres, predictability. They can be as formulaic as slasher movies or mobster flicks. And it’s because of that I consider “It Might get Loud” one of the best rockumentaries I’ve seen, it wasn’t at all what I expected it to be.

The setup for “It Might Get Loud” is simple enough, three great guitar players from three different eras of rock and roll (Led Zeppelin’s Jimmy Page, U2’s the Edge, and The White Stripes’ Jack White) get together to jam and shoot the shit. They share a few tricks of the trade and talk a bit about how they got where they are today. It’s a premise that could really go either way, but this is a film that rises above a mere premise and becomes something much more interesting. “It Might Get Loud” is a love letter, not just to the guitar, but to passion. That’s the driving force behind the film, its three stars play different styles of music and may appeal to different audiences but they share an obsessive passion for music, and they all hold this passion dear to them. It’s the most obvious and endearing theme in the movie.

The entire film has an inviting, laidback jam-session feel and some amazing musical performances. My favourite being a jam between Jack white and his ten year old counterpart (I can’t explain that part, you just have to see it) in an old run-down house. Jack bashes on a beat-up clunker piano, stomping his foot to the beat like the possessed love child of Jerry Lee Lewis and Stompin’ Tom Connors, with a dash of Ledbelly. You can feel the floor boards shake as if the entire house might come tumbling down in submission to the awesome power of the blues.

The film interweaves the footage of the epic jam session with the personal history of each musician. Director Davis Guggenheim managed to get his stars (all three very elusive, private and interview shy) to open up about their pasts and share more about their beginnings than ever before. Even Jimmy Page, whose entire history is legendary, has revealing new stories to share. The more they share of their past the more similarities begin to pop up. They are three true stories of how passion and drive conquered.

What makes “It Might Get Loud” better than the typical rock movie with talking heads and concert footage is that the musicians don’t just talk about how they create, they show how they create and that makes for fascinating film. Even if you don’t care for U2, Led Zeppelin or the White Stripes by the time the credits role you’ll have a fonder appreciation for their sincerity and what they’re trying to accomplish.

jackwhite_loud

Stone Temple Pilots – Moncton, New Brunswick: 11/24/09

STP

a review by Matthew Everett

I am a passionate fan of big bands and have been to a lot of live shows be it Metallica, Ozzy, Red Hot Chilli Peppers and Dave Matthews etc. Some of the best experiences of my life have been in large crowds at Dave Matthews Concerts where every fan in attendance is singing along with the songs and for me it is better display in spirituality then any church could ever bring me; but at all of these big band stadium shows I am amazed at the lack of demand from fans. Last evening November 23rd STP played at the Moncton Coliseum and from my point of view limped their way through the set. I left the concert being happy I witnessed one of my favourite groups on stage playing hit songs but a little saddened by the holes in the performance of songs that they have played for almost 15 years. My main disappointment is that many of the fans that are there and star struck by the big band leave saying what an amazing show, either not noticing the holes in the performance or just unwilling to admit the $70.00 they spent was not earned by the band. I also looked around the Moncton Coliseum and thought how many of these people would think it is outrageous to pay 5 or 10 bucks to see a local band in a bar in town and from what I’ve seen the local bars have bands that give it 100% every night. Sure every player has a bad night and the crowd in Moncton is not a crowd in Montreal or Boston but from local and small bands that I have seen it does not matter be it 5 or 500 people in attendance they give it their all.

Now I do not want to be a wet blanket on the STP show the songs they hit they certainly hit dead on but the point of this rant is to raise the awareness that stadium shows are great but the local bars have bands that are earning their money not bands that get it either way. For anyone that was at the STP show or at another show where you could hear them drop it take 10 bucks out of your 70 dollar ticket or your 120 dollar ticket for your next stadium show and hit up the Capital or the Seahorse and check out bands that are earning their money.

Robo Planet Game part 2

mpayne

Part 2 of a story by Matthew Payne

For part 1, go here

Ruxto woke up on a shiny black slab in a cave. He was stretched out on his back, and he felt especially comfortable and healthy. His body felt good. The cave was shallow and let out to a vast desert. Ruxto heard wind and a distant hum. His vision was blurry.

But of course none of this made any sense. Where was his crashing ship? Where were his shipmates, Melinda and Granger?

Ruxto sat up on the slab, feeling it with his finger. It was stone, and perfectly cut. His sword hung at his hip in its sheath. He pulled it out and looked at the blade. “But I left my sword back on Earth, because it’s useless to me here. How do I have it here?” His laser was gone.

In the back of the cave there was a machine. Ruxto walked up to it, climbing the slight incline. It was a two-piece machine: a large blue box with lights and buttons, and a tall black dome poking out of the stone wall. The blue box also had a screen, and as Ruxto approached, the screen lit up. Words were displayed, and Ruxto had to squint to read: “Welcome human to Pledvi-L-5, seeded by Omni-seed fourth generation. Please read the note printed below.”

A note was being printed on thick paper below the screen. Ruxto read it.

“Ruxto Chexter:

You have died during crash-landing on planet Pledvi-L-5. This planet has been seeded by Omni-seed Generation Four Unit Twelve. It has been zoned as an entertainment planet, and built for an adventure-game. You are the first human to make contact with an Omni-seed. News has been sent to the other Omni-planets and to Earth.

Your original body was destroyed, but your brain-image has been uploaded to a cloned body. Your eyes were un-cloneable, so Unit Twelve gave you regular eyeballs with the same blue and red appearance. The last half-second of memory before your death has been deleted from your brain-image to avoid emotional trauma. You are ready to begin the entertainment-adventure. Ask a question, or ask to be told about the game.”

Ruxto considered this message. If it was true then he was stranded on a desert planet, alive in a new clone. What about Granger and Melinda? Had they been cloned too?

He looked at the machine. “How do I ask a question?” He said to it.

The machine printed more thick paper. The paper said, “you can ask questions out loud and you will be answered on paper.”

Ruxto said, “where are my ship-mates, Melinda and Granger?”

The machine printed more paper: “their brain-image-capsules were cracked in the crash-landing. Yours was intact, so you were retrieved. Their bodies, as well as your own body, were broken down to feed your current cloned body.”

Ruxto was alone. light years from earth, a synthetic man from another universe, with bad eyesight: He had seen much more clearly with his original eyes.

He said, “where did this sword come from?”

The machine printed, “Unit Twelve reconstructed the sword based on your memories. It will help you in the game.”

He walked down to the black slab again and looked out into the desert. The sky was blue and the sand was deep yellow. Ruxto saw dark rock outcroppings, but not many.

He walked up to the machine and said, “how is there breathable air?”

The machine printed, “atomic conversion machines break down any gases, liquids or solids into any other element. The gases of this planet and the rocks from the mountains are turned into oxygen and nitrogen, plus other chemicals, for breathable air. The sand is also broken down. There are hundreds of atomic-conversion-fans on Pledvi-L-5. Several biodomes also create oxygen. Unit Twelve is building more biodomes.”

Ruxto remembered when he had learned the difference between science and magic. Now that he understood some of it, he still couldn’t shake the magical feeling of awe at some of the things he saw science do. Converting stone to air felt like a magical thing, even if science did it. In his world there was magic, and science was a different thing.

“What is the game?” Ruxto said. “You keep mentioning it.”

The machine printed, “you must travel across the desert to the closest biodome. Inside the biodome there is food, water, and a small ship for space travel.”

Ruxto said, “that sounds boring. What kind of game is that?”

The machine printed, “Unit Twelve will attempt to destroy your current cloned body, and you will have to battle the elements. Your brain-image will be loaded into a new clone each time you are killed and you can try again.”

Ruxto said, “I don’t want to play the game. I just want to take your spaceship and leave this planet. Can I do that?”

The machine printed, “the spaceship is in the biodome. You can travel there and Unit Twelve will try to kill you. The game begins after you leave the cave. No real harm is intended. Just enough to create the illusion of risk for the game.”

Wind blew softly into the cave. Ruxto suddenly wanted to see the sun and moons of this planet.

He said, “so, what do I do? Should I just walk out into the desert? Where should I go? How will Unit Twelve try to kill me?”

The machine printed, “If you die, then learn from the mistake that got you killed. That is the only available suggestion for how to play the game.”

Ruxto looked out into the desert and wondered which way the biodome was. How would he know which way to go? He’d have to get up on top of the cave to look in all directions. Would he die again? Would he be re-cloned again?

“How long did it take to make my cloned body?” he asked.

The machine said, “seventy-five years. Your old body had synthetic enhancements that were difficult to re-grow.”

“Will it take that long to make each new one?”

The machine said, “no. Unit Twelve has already studied your DNA and your original body, so the research will not have to be done again. Your synthetically enhanced lungs will be especially useful here.”

He didn’t look forward to this game, but he didn’t seem to be in any real danger. It was too bad that Granger and Melinda were dead, but Ruxto had not been close to them, and with the knowledge that seventy-five years had passed their deaths seemed more distant.

“Why did they die? How did we crash?” he asked the machine.

The machine printed, “Unit Twelve used a radiation-beam to pull the shuttle downwards. It overstressed your ship’s engine and you fell to the ground. Unit Twelve will compensate for this in future encounters.”

Ruxto said, “you killed them and destroyed our ship… but it was a mistake. You’ve already caused enough harm. Let’s just skip the game, and you tell me how to get to your ship and get off this planet.”

If it had really been seventy-five years then his contract with the Galaxers would be over. Now his only concern (and really, it had always been his primary concern), was to find Araquadigio Anastasio. But he had to get off this planet first.

The machine printed, “Unit Twelve is a game-engine based on virtual and pre-virtual video-game scenarios. The escape shuttle is part of Unit Twelve and part of the game. You must overcome Unit Twelve’s obstacles to reach Unit Twelve’s escape shuttle.”

Ruxto walked back down to the slab and out to the mouth of the cave. He was wearing a black suit constructed by Unit Twelve, with straps and metal clips in different places to keep it all together. His red and blue eyes peered out at the sand. He liked this sword, but he would rather have the laser.

The sun wasn’t in sight. It was behind the cave. Ruxto stepped out into the light and walked forwards a bit before turning around to look back at the cave. It was at the base of a small stone outcropping. To Ruxto’s right he saw that the outcropping sloped shallowly enough that he could climb it.

The sun shone on the bald black rock, and it was hot as Ruxto leaned forward to walk up it, steadying himself with a hand. Finally he stood on the crown and looked around him in a circle. The desert-planet around him was almost bare, but there were some obstructions in the sand. Ruxto saw one of the atomic-conversion-fans several kilometers away, a gigantic structure blowing air out before it. There was a brown sandless patch beneath the fan where it had blown the dirt away. This was behind the cave, just under the yellow sun. Ruxto thought he saw another huge fan further away in another direction, but it might have been a black rock.

He didn’t see anything that looked like it could be called a biodome. In the very far distance there were specks that could not be identified.

He did find one thing of interest, though. Squinting against the sun Ruxto made out the white shape of his crashed space shuttle. His laser would be there. His laser and his books. Would the laser still work after seventy-five years in the desert?

Something black flew across the blue sky. It flew in a straight line… an aircraft, not a bird. Was this how Unit Twelve would kill Ruxto? But the black spot flew out into the distance and Ruxto looked back at the dirt of the desert between him and his crashed ship. It looked like it would be hours of walking in the desert with no water, and there was certainly no water waiting for him in the crashed ship. How would he survive? This was a dilemma. He went back inside the cave to talk to the machine again.

Back in the cool shadows Ruxto said, “I have no water. Have you provided water for this game?”

The machine printed, “The game has begun and Unit Twelve is now your opponent, as are all machines on this planet.”

Ruxto stepped back from the machine as it shot several lasers at him. He turned to run but the lasers cut him in half, then into several pieces. He felt his torso tip over with no legs below.

Twilighting Other Films

mattjones

Applying Twilight Logic to Other Film Archetypes by Matt Jones

If there’s one thing that the success of the Twilight series has shown us it’s that continuity and accepted lore mean absolutely nothing (see sunlight v. vampires: instant death or body glitter?). The only thing that matters is appealing to doe-eyed teens wearing too much eye shadow (and their girlfriends HA!). With that in mind, here are pitches for a couple of movies that would make millions of dollars while having absolutely no merit otherwise.

Raiders of the Lost Gap

Moody high school sweetheart Indiana Joan’s life is given purpose when a new, bigger and better Gap opens two towns over. OMG! Now Joan and her crew (which includes two skanks and an Asian kid, all of whom are stunning, ethereal beauties, naturally) must figure out a way to get there. Will it mean making a pact with the ugly and socially awkward nerds of the Warcraft cult (led by the perverted hentai fan Mola “C.D.” Rom)? Is getting to shop at the best store ever worth spending time with a bunch of mouth breathers who’ve never spoken to, much less touched a woman? Beneath their slobber and poor social graces, is there something redeeming about the nerds? No, there is not.

Starring Emma Roberts as Joan, Aly and AJ as the two skanks, Zac Efron as the Asian kid, Frankie Muniz as Mola Rom and Pamela Anderson as a horrifying glimpse into what these young, attractive girls might end up looking like someday.

Robocrop (VERY loosely based on a true story)

Amber was just a poor young trend follower, who dreamed of making out with various rock stars with haircuts that resemble Old Faithful. Following her tragic death in a car accident (caused by those no-good drunk driving jocks), Amber’s body is taken to the Adobe Institute for Useless Robotics. There she is rebuilt as a hot-pink human/Photoshop hybrid. Now she crops, filters, and adjusts tint with ease! Will making convincing Photoshops of herself making out with her beloved rockers be enough, or will she use her powers to take vengeance on the jocks and doctor photos of them in gay situations? It’s a moving story full of pain, pathos and people totally making out.

Starring Hayden Panettiere as Amber, Justin Long as the guy from Fall Out Boy, Ashton Kutcher as Brandon (the head jock) and Sir Christopher Lee as Dr. Aloysius Clowater of the Adobe Institute.

The Sweet Rave Party of Anne Frank

Poor Anne Frank. As she and her “family” (actually a clique of impossibly attractive high-school age teens) hide in the attic of a shop, equally attractive Nazis loom ominously in the streets. Can Anne hold the sweetest rave party ever while not attracting unwanted attention? Can the forbidden romance between Anne and the dreamy SS Captain Hermann Schaper ever blossom? And what will happen to the Nazis when the 5 Jewish teens combine their powers to call the Hasidic Hero Uber Mensch, the Glamorous Golem to save the day? One thing’s for sure, the Festival of Lights is going to SPARKLE.

Starring Lauren Conrad as Anne Frank, Wilmer Valderrama as Captain Shaper, Justin Timberlake as Uber Mensch, Shia LeBeouf as a young sexy Adolf Hitler and Jimmy Smitts as the shopkeeper with a heart of gold.

Pirates of the Carribean: Young Girl’s Chest

Pretty much exactly the same as the previous Pirates movies, but in this one no one actually does anything exciting. Instead, they longingly stare at each other and imply sexual tension.

Starring one Olsen twin as the titular Young Girl, the other as her evil twin (it doesn’t matter which).

Other films currently in production –

The Passionberry Lipgloss of the Christ

Finding Emo

Trannyformers

Batman Begins a Livejournal

See these exciting features at a theatre near you!

Long Beach on Mars

profile

a photo series by Laurel Green

There is no denying that I am a lover of nature; an earth child. Born and raised in rural New Brunswick, the wooded Saint John River Valley is my home. It’s safe and familiar here and I find great comfort and meaning in the quiet, peaceful and ever-changing beauty of the East coast. It is this profound connection with my surroundings along with a deep-seated desire to capture nature’s ephemeral allure that drives me to photograph the places and things that speak to me in this world.

Recently, a week spent in British Columbia has shown me just how foreign one’s own country can be. When my toes broke the sands of Long Beach in Tofino and I gazed over the vast expanse of Pacific waters, it was as if I had touched down on a whole new planet. I felt like I was teetering on the edge of the earth as the salty waves swept me into an alternate dimension.

Never had I seen cedar trees stand so tall or creep and wind in entangled, mossy chaos as they do in the rain forest that hangs off the ledge of the Pacific Rim. Nor have I seen anything like the enchanting and alien sea matter that is dredged up from the ocean floor and discarded by the waves on the beach in exotic abstractness. There were snow capped mountains in the distance and the smell of the ocean invaded my nostrils as its sound crashed in my ears. I could taste salt on my lips. It was a vibrant and unfamiliar beauty that overwhelmed all of my senses and made my heart race.

The unusual colour cast in this series of photographs was created using a method called cross-processing, in which slide – or positive – film is developed using chemicals normally reserved for negative film. The process results in an unnatural palette – in this case warms tones such as red and orange – and exaggerated contrast between highlights and shadow.

click images to enlarge.

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“Craigness!” Promo with make up artist and model Myles Sexton

This week on CRAIGNESS! Myles Sexton – Make Up Artist & Model – Offical Promo

Myles Sexton is a handfull!! This weeks CRAIGNESS! was a tough show.. When two people with huge ego’s clash somethings got to give. Not too many people can over shadow the Awesome insanity of CRAIGNESS! but in true professional spirit, CRAIGNESS! puts his ego aside in order to get the interview with the larger then Life MYLES SEXTON!

Episode drops soon on Unflitered Smoke

Apologies and Requests

Hey readers,

This past week has been swamped in general and the copy I have to post is in limbo at the moment. I have several pieces almost ready to go but nothing finished just yet. Apologies for the less than regular updates.

Now for the requests. It’s always a good time to remind anyone and everyone that if you have a piece/article/artwork/etc. you would like to share, email me at ratedargh@gmail.com. We are open to your ideas and submissions so don’t be shy. Just do it!

Robo Planet Game

mpayne

Part one of a story by Matthew Payne

Ruxto leaned back in his seat and looked at the report he just wrote. It was a summary of the last seeded-planet they had visited. It had been a disappointing planet. The robot-seed had crash-landed almost a thousand years ago, and all Ruxto found were the ruined remains of the original factory-ship. That meant that the whole solar system was empty of robot-life, since the seed-robots were programmed to send only one seed to any individual solar system.

The chair Ruxto sat in was white plastic, stuffed with duck-down. It could fold into a comfortable single-bed. To the left of his face a window looked out to the stars. The software attached to his brain recognized constellations and told him what they were. In order to take this job he had been required to accept several implants. He needed lung implants, with a compressed-air compartment. He had his bones strengthened and many of his muscles replaced with synthetic contracting-sinew. He replaced the sword from his home with a laser-pistol and a knife. His debilitating visions of a strange world had been replaced with soothing dreams at night. He still had his different coloured eyes – one solid red with a black pupil, the other solid blue.

Granger came in through the liquid door. Granger was very thin and tall. He was a clone, engineered for space-travel. He had a piece of paper in his hand and a smile stretched across his face.

“There’s a robot-seed on Pledvi-L-5.”

Ruxto said, “how? The Pledvi seed died on impact on Pledvi-L-2.”

Granger said, “it’s not from the Pledvi seed! It’s from the Omni seed, and it’s only four-hundred years old!”

Ruxto put down his report. “That’s interesting. It seems like the Omni-seed made it to the Omni-system, then set up a factory and sent more seeds out. One of those seeds must have made it here.”

Granger nodded, and his long neck swung his head far back and forth.

“So it’s OK that we haven’t found a good planet yet. At least one seed has made it to the factory-stage: the Omni-seed. And it’s seeding other planets. I’m completely reassured right now. We will eventually find a planet that has been terraformed or bio-domed. Maybe it will be Pledvi-L-5.”

“Are we moving to the planet yet?”

Granger said, “we’re about to change direction. The Galaxers will be happy we found this. I wonder what we’ll find. Nobody’s found a second-generation seed except the corporations, and they don’t share their information.”

Ruxto said, “they don’t share their information, but it’s pretty common-knowledge that they’ve found dangerous robots. That’s almost what I’m hoping for here. Something to fight.”

He wasn’t lying. He had lived his life as a killer in two different worlds, but now he was living an easy life and doing a tedious job, flying through empty space and making reports about non-events and empty planets. But his personal mission was important enough that he was willing to endure long times of quiet. He used it to read, meditate and practice weaponry and martial arts. He had peace of mind, and there was always paperwork to do and reports to write. Any info or observations from the frontiers of human-space were of great use to the people back in the Earth solar system.

“We don’t know what to expect,” Granger said. “The planet is sending out the safe-seeded signal, but it’s sending out other signals too. We don’t understand them all.”

“Well I’ll go down by myself then,” Ruxto said. “Just in case the robots have become dangerous.” That was his job. He was hired as security.

Granger said, “we can all go down in an energy bubble. I haven’t even stepped foot on any of the planets or moons we visited yet, and this one holds the most promise. I want to see it first hand.”

In the cockpit, Ruxto stood beside Granger. They looked towards the planet they wanted to land on. It was massive on their screen, magnified by a computer. They were still hours away. The planet was yellow and black, sand and rocks.

Granger said, “the beacon says they have several bio-domes with vegetation and the whole planet has breathable air because of massive machines. I hope it’s true! Can you imagine?”

Ruxto was curious, wondering what it was like inside the bio-domes.

He said, “It would be nice to stay there and enjoy the planet. We weren’t paid for that though. We have to label it on the map, hospitable or inhospitable. Then move on to the next solar system.”

There was a long panel of lights and buttons beneath the screen. This was how Granger piloted the shuttle.

“I still can’t understand the other signals coming from the planet.”

Ruxto said, “what kind of signals?”

“Bursts of radiation.”

Ruxto Chexter was studying an encyclopedia, displayed on the back of black sunglasses as he sat in his white chair. He looked up the Omni-seed and found that a non-profit technology-group had designed it and thousands of identical seeds that went out in a massive wave three-thousand years ago. They were built to experiment with terraforming methods, to adapt to unexpected alien landscapes. When they got to the point of producing new seeds to send out into space, the Omni-seed and its identical brothers were programmed to experiment with new types of seeds. The new seeds would be built based on the Omni-seed’s observations of the surrounding planetary environment. Ruxto wondered what kinds of improvisation the Omni-seed might have employed in sending a new seed here to a different solar system. The encyclopedia said that the destination solar system for the Omni-seed was seventy light years away, four solar systems away. Ruxto thought about how far the seed had traveled, and how fast it had to move. The Omni-seed must have been experimenting with types of transportation too. This one must have moved fast. Ruxto wanted to see the planet where the original Omni-seed had landed. He wondered what that alien-colony would look like. Did it terraform, or build a biodome? What had this new seed, this child of the Omni-seed, built within its biodomes in this solar system?

Melinda entered through the liquid door. She was pretty, with serene green eyes and short black hair. She was the third member of the three-member crew. She leaned against the wall in her tight white two-piece suit.

She said, “maybe we can just live in one of the biodomes down on Pledvi-L-5. Exotic trees and fruits, self-cleaning ponds, servant-robots.”

Ruxto switched off the encyclopedia in his glasses and said, “I want to see other planets, and other robots. We don’t even know if this planet is safe yet.”

Melinda shifted and leaned on her left arm instead of her right. She was smiling at Ruxto, then looked out the window as she talked to him.

“If we crash land somewhere,” she said, “I’m supposed to repopulate any seeded planet with Granger. It’s in my contract.”

Ruxto said, “You’ll be the mother of all the human life on one planet.”

Melinda said, “can you keep a secret? If we crash land I’m coming to find you first.”

Ruxto said, “I’d be a bad father. It will be a long time before I settle down. It would be nice to have a kid though. To train it.”

“Train it?” Then she changed the subject: “what’s with your eyes? You’re obviously a clone, but why are your eyes a different color?”

Ruxto said, “I’ve been told that it’s the trademark of the man who made me. One red eye, one blue eye in all his creatures.”

“Creatures?” Melinda had her arms crossed and looked down at him incredulously. “He doesn’t just make humans?”

Ruxto wondered how much to tell her. “He makes whatever he can. Well, that’s what I’ve heard. I never met him, though I hope I will eventually.”

Melinda looked confused. “You were cloned, but not by a corporation? That’s illegal, isn’t it? They wouldn’t let you in to the Galaxers if you were an illegal clone.”

Ruxto said, “I’m not in the Galaxers, remember? I’m a mercenary, here to protect you and Granger. But I was cloned somewhere else… not really cloned though. Or maybe cloned… I don’t know.”

Melinda said, “somewhere else? Do you mean Mars?” She spoke cautiously, not understanding but not wanting to offend him. “The clone-laws are still enforced on Mars.”

Ruxto said, “Have you ever heard of Jimmothy Knack?”

“Yeah, he used math equations to convince some scientists that he was from another universe, right?”

Ruxto said, “yes. Do you believe him?”

Melinda shook her head. “Why would I believe that? Do you believe him?” She seemed amused.

Ruxto looked out the window. “I believe him.”

Melinda laughed. “Why did you ask me about Jimmothy Knack?”

“Don’t you have experiments to do?”

“I’m nervous about that planet,” she said. “Nervous and excited. I hope it’s inhabitable.”

The shuttle shook back and forth unexpectedly, knocking Melinda to the ground. Ruxto was thrown up in the air and then back down hard onto the soft chair. From the window was a strong purple glow which Ruxto couldn’t explain. There were no stars. The shuttle kept shaking.

Melinda was on the ground on all fours, looking up at Ruxto. She didn’t scream. She said, “what’s going on?”

Ruxto looked down through his black glasses. “I don’t know.” He smiled. “Maybe this is our emergency.”

She said, “that’s not even funny. Where’s Granger?”

Ruxto tried to stand but got thrown back into his seat by the shuttle’s turbulence. “He’s probably trying to pilot the shuttle.”

The lights went out completely and the turbulence stopped. Ruxto felt weightlessness.

He heard Melinda say, “I’m not on the ground… I can’t touch the ground.”

He felt like he was falling, and the shuttle was falling too. He floated up by the window, where the purple glow persisted. Looking at an angle, he could see the desert-planet through the purple glow. They were close to the planet, rushing towards it very fast. They were about to die, smashed on the planet. They all had brain-image storage, but there was nowhere here to upload their brains to after the shuttle was smashed. Ruxto was very surprised. He thought he had good reasons to believe that he would live long enough to meet his father. He thought he would still live for thousands of years. But he saw the ground getting closer and closer.

Melinda said, “Ruxto! What do we do?”

Ruxto pushed away from the window and found her.

“Here,” he said. “Hold my hand until the lights come back on.”

Shut Yourself Up

jody!

by Jody Coughlin

The sparrow of humility in the hand of a painter is worth more than any flock of honking geese flying over head.

The sparrow of humility in the hand of a painter is worth more than any flock of honking geese flying over head.

I’ve been racking my brain, attempting to forage for some kind of dating advice for you all you gents out there. I-as they say-got nothin’. My tastes border on the absurd and unconventional at the best of times. I think Ted Danson in the most magnificent new HBO series Bored to Death is hot as hell. In his own way, of course. Then again, the cute little writer guy on the same show certainly holds his own in the hot department…and now that you mention it-the illustrator has a certain je ne sais quoi…

Ok. Wait. I have a crush on most guys. I am a true lover of men, not in terms of promiscuity, rather in terms of admiration. So, gentleman, just keep doing what you are doing and I will quietly (or not) observe from some distant corner somewhere. I can’t help myself, let alone all your lady friends out there. Enough said.

In other news…

It is time to get back to the world of all that is artistic (much to the relief of the editors of this site, I am sure). I am more or less a stay-at-home mom these days and have been for most of the time that I have been a parent, minus a stint here or there. I, at the moment, am not earning a steady paycheck. What I do is rely on the sales of my artwork and my writing and that wonderful little element in my life called husband. Without him, I would be the very definition of a starving artist. With him? I have lots to eat. Thankfully.

I, however, am the type of gal who gets a real kick out of earning my own quid so eventually, I will go back to work full time, when my daughter is a little older. Or, maybe, just maybe, within a few years I will be able to make a full time living selling my art and my writing on a regular basis (oh, to sleep perchance to dream). Actually, this is my dream, my goal. If it all falls through, and it may, I’ll probably end up at a call centre somewhere.

One thing I have been focusing on lately, is marketing. I have heard it said that a good artist should not necessarily study art, rather a good dose of business education is more important because, after all, selling what you make is a form of entrepreneurship. Artists must know how to market themselves. It is within this category in the life of an artist that I fall flat. Marketing myself makes me nauseous. I try it, but I never feel like I am much good at it.

In these modern times, we are rather lucky. Gone are the days where we have to sit in front of a television while commercial after commercial after commercial blasts its filthy face into our existence. Talk about offensive? The stuff written in Dear Asshole is risqué, for sure-but nobody is forcing anybody to read it. I remember when I was a kid though, fully immersed in an episode of Voltron and then some stupid commercial about some stupendous laundry detergent ripped me out of my animated reverie (I had a huge crush on the guy with the white hair in that show… What?!). Now that, my friends, is offensive. The commercial, not the crush. So, lest I come across as my own pathetic attempt at commercialism, I abhor the art of the self-promotion.

And then there are the types…Oh, we all know them. Probably by name if we are honest. You know what I am talking about, here. The type of people that incessantly talk about themselves and how spectacular what they are making/doing is compared to the rest of the blasé masses. There are artists out there that are so in your face about how special they are that it makes me (at least) want to literally vomit in the worst possible way. Am I like that? I sincerely hope not (if you see me getting mighty, if you see me getting high, knock me down. I’m not bigger than life).

These in your face types remind me of a guy I dated briefly in high school. Well, I was in high school, he (ahem) was not. When I first met this guy he did nothing but talk, talk, talk about his prowess with the ladies. I, being recently jilted by my boyfriend at the time, decided this guy might have something I needed. Well, as it turned out, all that talking covered up a few facts. For one, the guy lied like an oriental rug on an overdose of valium and two, his prowess was about as enigmatic as a box of kleenex. I was naive at the time, but I did learn this: those that talk the most about who and what they are, usually, aren’t much at all in the end and this guy was an idiot.

What self-admiration and swagger does is alienate people. At first, out of sincere curiosity, folks might be won over by this particular brand of charm, sure. In the end, when artists constantly talk about their process and what it all means to present day society and yada yada, I think it ends up alienating people. If the art cannot speak for itself, then it’s time to head back to the drawing board. A simple artist’s statement is all anyone ever really wants or needs in the end.

I worry the most about the fledgling artist/writer/musician who maybe just attempted their first serious piece. In the face of so much bluster, their courage may fall dead in its tracks. Nothing is as daunting as trying to make your mark as an artist in the shadow of some other artist who is determined to stay in the limelight come hell or high water. It should not be this way. Ultimately, this kind of behavior ends up killing more art than it generates and if that is the case then we all lose in the end.

On the flip side of this, I’ve met artists who have so much talent that it makes me want to cry in the best possible way, but when the gallery doors are closed or the stage lights are off, you would never know it. Some of the most humble people in the world would knock your socks off in the ability department. I am not too sure where I fit in in all of this, somewhere comfortably close to the humble side of things, I hope. Art should not be an elitist side-show. It should be completely accessible. Come one, come all.

As for marketing. Is it a necessary evil? Unfortunately, yes. It is. Everybody and their dog seems to being doing it these days simply because we can. A Facebook account is free, a blog is free, selling your work on various commerce sites like Etsy (for example) costs next to nothing. So, why not market yourself? There is a way to do it and then there is a way to do it, though. I say go ahead, give it your best shot. We are all very small fish swimming in a vast ocean. Why should the advertising giants have all the fun? All I am saying is, be careful. There are a lot of seedling, baby artists out there with just as much talent as you (and me). Talk about your art, sure. But gently and with a dose of humility and kindness. Any truly successful artist has worked extremely hard to get where they are today and those are the ones that nary utter a sound. As for the bragger types? Move out of the limelight you self-inflating arses. Let the rest of the world catch a ray or two for a change. Wait a minute… That was mean wasn’t it? Yup. Truth hurts. I can’t help it. That is how I feel.

The Damned United

the-damned-united

a review by Jason Wilson

The Damned United (2009)
Directed by Tom Hooper
Written by Peter Morgan based on the novel by David Pearce
Starring Michael Sheen, Colm Meany, Timothy Spall and Jim Broadbent

How healthy is rivalry? We’re taught from a young age that competition is a fine thing. It gets kids involved in sport and introduces them to the cutthroat adult world in the form of dodgeball, baseball and in this case football (or soccer for most around these parts).

We care what the outcome of a game is so much more than seems logical because the game becomes more than just a game. Ask any Toronto Maple Leafs or Montreal Canadiens fans about the rivalry between the two teams. There is a bloodthirsty hatred between the fans of these teams; not only the players but those who watch the games at home and aren’t relying on the team for a paycheck. In fact, the fan has more of a vested interest in the outcome in a way, at least at it pertains to a specific team. A player moves from team to team freely through trades and free agency. A fan doesn’t change allegiances. In most cases, once you find your team, it’s your team for life.

Then there are those that get indoctrinated in the game and obsess over personal success. Brian Clough is one of these men. The Damned United is not about soccer or sport like many sport films are. It’s not about the purity or beauty of football/soccer. It’s not about the success of a team though it focuses on the rise and fall of the teams under coach Clough. It is instead a portrait of obsession, arrogance and greed (but not the monetary kind).

The rivalry between Clough and former coach of Leeds United Don Revie stems from what seems like an innocuous occasion. Clough, coaching lowly (at the time) Derby is snubbed by Revie after a game against the far superior (at the time) Leeds. Revie doesn’t shake his hand or acknowledge his existence. Until that moment, Clough revered the Leeds coach as a god of the sport. Revie was looked at as a giant, and Clough was nobody.

Spite and bitterness drive Clough to turn Derby into a winning team. He obtains players by spending his boss’ money and brashly insults the chairman for being stingy when he complains. It works, and Derby becomes a winner but Clough doesn’t win any friends and his relationship with the club is soon shaky and less certain than before.

As the film is advertised, The Damned United appears to be about the 44 days Clough coached Leeds after Revie left to coach the England national team. But that only puts the plot into its historical context. The film uses soccer/football as a backdrop. It’s the overwhelming need to prove he’s better, more important to the game and more innovative than Revie. It also seems like a plea for his former idol, now arch rival to notice and appreciate Clough’s talents.

Sheen as Brian Clough

Sheen as Brian Clough

What Clough doesn’t realize is that his ambitions overshadow his strengths and blind him to the people who surround him; those that made him the coach and person he is. It wasn’t just his young approach that helped Derby rise from the boot of a secondary league/division to renown in the Premiership. He was but a cog in the wheel and his arrogance got the better of him.

The Damned United is the best film centered on the world of sport in years possibly because it distances itself from the game for most of the movie. There are only a couple sequences on the pitch and never for longer than a minute. It’s not important to see how the team performs in the scheme of it. It’s the rivalry and competition inside Clough and Revie that drive the movie.

Films like Cinderella Man and Miracle opine too freely on the beauty of the sports represented therein while The Damned United doesn’t glorify it. Competition isn’t always healthy. Sport isn’t always about the little guy overcoming the obstacles to achieve greatness. More often than not, rivalry is petty and worthless. In a fantastic sequence near the end, the sheer lunacy of the rivalry is exposed during a television interview with the two coaches. It puts the whole story into perspective and thankfully Clough is not painted as a hero like he might have been in a different filmmaker’s hands.

Jealousy and pride are never good reasons to try to succeed. It taints the final product. Clough achieved great feats with Derby but it wasn’t good enough because he still measured himself against someone else. Someone who really only existed in his mind that kept growing above his own advancements. The secret is to chop that guy down before losing yourself in the shadows.

Rural Living Rant

just cheryl

by Cheryl Ripley

Who needs a high speed WI-FI internet connection anyways? I fear, my friends, if there is one thing that draws me away from the comforts of country living it is the inaccessibility of the high speed, get it and watch it now, instant messaging capabilities of urban internet connections. In spite of this minor set back, I will continue writing this piece upon my trusty ‘take anywhere’ lap top, that at the moment “cannot connect to wireless internet” here at home in Minden, Ontario. It is now that I would like to discuss the beauty in rural living and celebrate the idea that rural livelihoods exist out of the country-bumpkin stereotype.

It is a funny thing living in rural areas. Urban zones seem to have a death grip on knowledge and technological resources which perpetuate the stereotypes of rural dwellers being behind the times, unfashionable or even dumb. Movie premieres, book launches, panel discussions, conferences, high-speed internet and even cell phone reception are all things used by the general population, yet are reserved for urban dwellers simply because their numbers are higher and concentrated to a central location. What über famous pop-star do we know that would risk a low turn out, less lucrative show to spend more money traveling to their fans in the country? I can’t name one.

Living in a beautiful, lush, natural environment can be done without giving up modernity and all of the conveniences we’ve become used to living within urban environments, can’t it? Shouldn’t we be able to appreciate both lifestyles and understand the importance of a balanced, sustainable demographic living in rural landscapes year-round?

Here’s a little background on Minden. This small community is made up of about 1500 people, about the size of Florenceville, NB, home of the first McCain factory. A Canadian census from 2006 counted the population of Minden Hills, which includes many of the communities surrounding Minden, at about 5500 people. The high school for the area hosts a grand total of 700 students. Some students traveling in from the ‘sticks’ may ride the bus for up to one hour and a half. There is a flourishing artist community coming into Minden, potters, painters and photographers can’t deny the beauty of the turning leaves in the fall. Sir Sanford Fleming College brings in students in sustainable building and ecotourism. Still, the demographic of Minden Hills area is made up of mostly retirees with a summertime influx of cottagers from southern Ontario.

“You know what gets me…? The folks who move up here, but still insist on spending all of their money in the city – ‘Oh, I have to get my haircut, to the city. Oh, I have a doctor’s appointment, to the city. Oh, I need a dentist, to the city. Oh, must go shopping, to the city…’” – Anonymous local over morning coffee at Tim Horton’s.

Ever heard the expression, Be Global, Act Local? There are many reasons it exists, but I can think of no better expression that would support a growing local, rural economy. Money spent in the community, stays in the community, in theory. Still when compared to prices in the city, buying products locally is more expensive and there is often less selection. People seem more inclined to hop in their vehicles and burn gas to the city, at least an hour and a half away to spend less while browsing a diverse product selection.

Maintaining a reliable, year round clientele and keeping a business running throughout all four seasons in cottage-country proves to be challenging. Seasonal fluctuations in the amount of people visiting popular summer destinations create an economic black hole for rural business. While the main industry in Minden, for instance, was once Timber, the town is now whole-heartedly dependent upon tourism. This is a common fate for many communities across Canada. The more time I spend in rural areas, it is becoming clearer that where summer employment and entrepreneurship are high, unemployment insurance and poverty are also high. So what does that mean?

I argue the dichotomy between rural and urban living/lifestyles is a stable, year-round employment. What creates the allure of moving to a great metropolis? For some it is the bright lights, entertainment, fashion, hustle and bustle. For others it is merely the prospect of work. I believe it is a constant, diverse clientele that drives a stable work environment in the city.

Living year round in rural areas is as much about entrepreneurial spirit as it is serving the influx of tourists, while remaining loyal to the local community. For some working year round means performing a job they were professionally trained for during peak season and then taking retail or serving positions in the off-season. For others, surviving the rural reality means working non-stop during the busy times and cashing in employment insurance when demand is low or the weather is uncooperative. And still there are some professions that carry round all year, for example, doctors, dentists, veterinarians, etc.

So I have come to the conclusion that people who live in the country do so consciously for its quiet beauty and slow pace. Are they rednecks for enjoying this lifestyle? Maybe, but that doesn’t mean they are all banjo pickin, politically incorrect, hillbillies. It is time to break that stereotype and appreciate those who choose to endure the cottage country lifestyle year round, as well as appreciating those ‘citidiots’, who visit, spending their hard earned dollars outside of their locality. It isn’t that one space is better than the other, but that rural and urban settings provide a variety of different and pleasing opportunities. How these opportunities, the distribution of population and the distribution of wealth and production between rural and urban zones play out on an international scale… well that is a discussion for another day.

*A rural youth of Ontario, Cheryl graduated from University having studied International Studies and Modern Languages and so functions in Spanish, French and English. She is interested in the process of sustainability and how it can be translated into the lives of everyone, everywhere. Also, she is concerned with Canada’s lax approach to C02 emissions and what that means for people around the world facing the devastating effects of climate change. For fun Cheryl enjoys making music, snowboarding and playing in the outdoors. *

Equity versus Equality

mary

by Mary Andow

Much to the chagrin of my bank account, I have recently returned to school to pursue a degree in Education. I spent from late August to the end of October at Saint Thomas University in Fredericton, New Brunswick where I was bombarded with new ideas surrounding student learning. One particular idea was hammered into my brain as it relates to students: “fair is not being treated the same as everyone else – fair is getting what you need.” Essentially, students will arrive with varying levels of intellect, potential, and experience. To treat them exactly the same would be foolish. Wait … but … do you mean … I shouldn’t treat kids equally?!?!? So novel a concept my mind cannot conceive.

This brings obvious rise to the equality versus equity debate. I taught a grade eleven History course this week wherein I introduced students to this concept. Adolescents and children often possess a heightened sense of justice; that is, they want all things to be equal. If one person gets detention for talking so too should the next. If Sally gets help with a test, so should Annie. If she can pass in an assignment late, why can’t I?

Confusion surrounding differences between equality and equity are not without cause. In the same History class, the text book discusses the women’s movement and their fight for equal rights. The key to understanding the difference is to recognize that the fight for “equality” is constantly in-flux. In the 19th and into the 20th century, women fought for equality – men could vote so why couldn’t they? Men could hold political seats and women wanted the same. Progress occurs but a step at a time. Canadian women of the early 20th century (such as Nellie McClung) were trailblazers. The thought of equitable treatment would not have entered their conscience – coming from nothing they were striving for something. As time has passed I would like to believe that we have grown and improved as a society. As such, women should now demand equity, not simply equality.

Women asking for gender equality means asking for the exact same things men have. The problem, of course, is that women are not the same as men. Shockingly, men cannot give birth, only women. That makes us different, with contradistinctive sets of needs. I explained it this way to my students: a man and a woman begin working in the same job at the same wage in the same company. Both do an equal level of work for five years. At this point, the woman gives birth to a child and takes six months away from her paying job. When she returns, the company places her at the same level as her male counterpart who has in the meantime been promoted. But wait a minute? She has worked six months less than the man – this treatment is unequal! Correct: it is far from equal but rather quite equitable. This hypothetical company recognized the social significance of caring for a child and understood that this cannot always be achieved in unison with a full time job*.

I have fixated on women, but the same holds true for other groups who have been historically marginalized. Equity is generally the end goal, not the simple act of equality. There is much chatter among some ranks about government treatment of Aboriginal persons. Some will handpick perks such as tax exceptions or tuition for post-secondary education and claim it is unreasonable. I would argue that equality, on its own, is not good enough for a civilized society. Canada has, in the past, stripped Aboriginals of their culture, destroyed families, and ruined lives. Stories of the treatment of Aboriginal children in residential schools are painstaking. For those who believe all things should be equal, consider this. Are we a society that destroys lives and then says “okay, we’ll stop doing that – now go live like everyone else”? I would like to think not. We want what is fair and just; that is, we want what is equitable.

I minored in Women’s Studies during my undergraduate degree wherein coursework focused largely on equal rights. I would argue that equal rights for minority or marginalized groups should be a continued discussion so long as equitable rights are the primary goal. It is one thing for students to believe everything should be equal (the same), but societies cannot function with such callow. All people deserve what is fair and just – and this will rarely be alike from one person to the next.

*I will avoid needless comments by saying that I of course advocate the same equitable treatment for a man who takes paternal leave from his job. Equitable treatment knows not the boundaries of sex, gender, race, religion, sexual orientation, etc.

“The Curse of the Radio Bye Bye” – a 3D Animation Reel

cassie

3D animation by Cassie Topping.

Cassie Topping is a 3D modeller, animator and texture artist. She is a graduate of The Centre for Arts and Technology in Halifax, Nova Scotia.

She’s recently worked for the computer game company, Silverback Productions.

take a look at her impressive demo reel.

Fantods

Photo by Tiffany Naugler

Photo by Tiffany Naugler

by the Fantods

A drug problem, as seen on TV, tends to follow a certain predictable arc: it begins as an escape from a world that the user feels poorly equipped for. Perhaps there are undiagnosed personality or mood disorders at play, maybe poverty plays a role, or complicated situations at home or at work. Whatever the problems, the drug soon becomes the biggest cause of them. Yet, in those elusive highs, you can feel for a moment like everything is all right: it’s okay that you’re afraid, it’s okay that you’re weak and small and powerless, because you have that one moment of glory. And that moment is only made stronger by contrast with an otherwise sour, unfulfilling existence. Even real addicts don’t tell you much about that part. Probably because they’re looking for your pity.

We now present to you our very special addiction, with our heads hung in shame and a sercet pride in our hearts. For years, this band has been our drug. And the drugs. Drugs have also been our drug.

Photo by Tiffany Naugler

Photo by Tiffany Naugler

Before I continue, I must acknowledge that every human pursuit or interest that stands in the way of productivity has been considered an addiction at one time or another. Is it really a fair comparison to make here? After all, we’ve been very productive: five albums, numerous EPs, and shows in almost every venue in Halifax proper. And if I were to claim that our posters have lent a singular charm to the telephone poles and corkboards of the city, none would contend me. Moreover, our songs have dotted the local airwaves: CKDU, CBC, Q104 have delighted listeners with our wierd and passionate sounds.

Naturally, we are not content to rest on our meager laurels. We have already crawled our way from the frozen swamps, lurched between the dark acidic trees, skulked over forgotten graveyards, and took the bus for like seven hours to get to where we are today: haunting the taverns of Halifax. We intend to go even farther.

Photo by Tiffany Naugler

Photo by Tiffany Naugler

Our newest CD (Ride the Moose), recorded live without overdubs, speaks for itself – and it says “play me for all the world, or I will devour you.” So give us a listen, a good listen with both ears well open, and I’m certain you’ll agree with me and our haunted album. Come on, all we need is one more hit.

Click the song titles to listen.

Fantods – Betty – From the album “Burn, Wizards, Burn

Fantods – Left A Light On – From the album “Ride the Moose”

Fantod’s Website: www.myspace.com/thefantods

Bunny D. Gallant – vox

Professor F – vox, guitar

Tony E – bass, guitar

Jay Methot – Guitar and stuff

Bango – drums, vox

Record Label: Radiator Collective

An Education

an_education a jealous review by Jason Wilson

An Education (2009)
Directed by Lone Scherfig
Screenplay by Nick Hornby based on Lynn Barber’s memoir
Starring Carey Mulligan, Peter Sarsgaard, Alfred Molina, Olivia Williams, Emma Thompson, Rosamund Pike, Dominic Cooper and Sally Hawkins

For years I have had a curious wanderlust about the road(s) not traveled. Europe, Asia, Australia, Africa, South America…hell even most of North America is a complete mystery to me. There are moments in almost every day where I imagine what it must be like driving across the country seeing new places and meeting new people; adventuring.

The idea that we’re “supposed” to go to school, get a degree and work in boring jobs until retirement age seems ridiculous. The desire to travel, see the world, enjoy life is either unrealistic or irresponsible.

But who needs money? Right? Let’s just find some rich old bastard and sponge off him until the end of times.

This is how I both identify and lose touch with Jenny, the precocious teenaged protagonist in An Education. She wants to see the world, be cultured, have adventures but she quickly grows tired of studying and preparing to go to Oxford University. She meets an older man (not elderly just in his 30s) and he sweeps her under his wing and whisks her off to magical places like Paris.

It’s understandable, she’s 16. She thinks the world is owed to her and that she shouldn’t have to work for her luxuries and so she thinks she finds a way to get this. She shacks up with David (the 30-something) and he pays her way. She gets music, paintings, everything she’s ever wanted but is David exactly what he seems to be? There’s nothing too sinister going on, he’s not entirely on the level but he’s not a London gangster either.

Through circumstances, Jenny realizes the error of her ways and tries to make it right (if you think this is a spoiler you have never watched a single movie ever). Yes she’s 16, and yes she’s immature and selfish but the movie is too absorbed in her. It’s great that she is left to her own devices, but the movie is played out in a way that seems like it’s trying to manipulate the audience into thinking Jenny is doing all the right moves just because she’s a clever girl. The adults are square and out of touch until she realizes her wrongs, but they are portrayed as such. It’s a device likely used to help the audience connect or empathize with Jenny, but instead it just revealed how deeply her flaws went.

alg_movie_an_education

I’d hate to say it’s a flaw in the screenplay because Nick Hornby is an excellent writer, but the script didn’t ring true. Jenny is portrayed as an idealist despite her sheltered upbringings and it seems like the rest of the movie slowly pulls it out of her. Yes it’s based on a memoir, so there is a reality to it, but that doesn’t mean reality isn’t dull and contrived at times either.

What retribution is there? None. Is that what growing up is?

The answer is yes, in the end we all go to school or we don’t and we work random jobs and enter menial careers and come to peace with the mundane lifestyles we all have and will have the rest of our natural lives, oh shoot me now!

The trick seems to be in finding a balance between academic education and life experience. Maybe Jenny figured that out or maybe she worked in an office for 35 years until she was able to retire and never saw Paris again.

Or maybe I’m just jealous because Paris seems like a lifetime away.